Henry rollins black flag
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The album cover for Nervous Breakdown had a particularly strong impact on Rollins. The Rollins Band's records are uncompromising, intense, cathartic fusions of hard rock, funk, post-punk noise, and jazz experimentalism, with Rollins shouting angry, biting self-examinations and accusations over the grind. Watch Henry Rollins & Cyndi Lauper Sing Black Flag’s Rise Above At Home For The Holidays Benefit. Henry Rollins, in his journal collection Get in the Van, notes that Pettibon's artwork became synonymous with Black Flag and that before Rollins joined the band he would collect photocopies of their flyers that had circulated from California to Washington, D.C. That day came, and the two got to work in Leeds, England. Following Black Flag's breakup in 1986, Rollins was been relentlessly busy, recording albums with the Rollins Band, writing books and poetry, performing spoken word tours, writing a magazine column in Details, acting in several movies, and appearing on radio programs and, less frequently, as an MTV VJ. Rollins describes an incident where he and his eventual band mate Chris Haskett saw Thin Lizzy now-deceased front man Phil Lynott on the street in London and Haskett took it as a sign they should continue on should Black Flag ever broke up. Meanwhile, longtime Black Flag frontman Henry Rollins has expressed no interest in being involved in a Black Flag reunion, and he continues to focus on his spoken word tours. In the '90s, Henry Rollins emerged as a post-punk renaissance man, without the self-conscious trappings that plagued such '80s artists as David Byrne.